The corner, or knee (the shape of the limiter curve), can be set to either soft knee or hard knee. The limiter threshold, the signal level where the limiter activates, can be set from -12 to -2 dBFS. Settings are global, applying to all limiters on the unit. Controls including limiter threshold, recovery time, ratio and knee-type are user-selected settings. Several parameters of the limiters can be controlled from the Setup Menu. It is also good practice to use the 788T’s low-cut filters to prevent unwanted low–frequencies, such as wind noise and mechanical vibration, from triggering limiter action. Setting the limiters to activate at too low a level reduces the huge dynamic range that the 788T offers. The limiters should be set so that only very high peak levels approaching 0 dBFS are limited. The main purpose of the 788T limiters is to prevent analog signals from overloading the analog-to-digital converter. The track limiters are selected in the LEVELS screen in the Track Setup Menu accessed by pressing the INPUT button. Track limiters can be set to act individually (for mono and dual-mono mixes) or can be link in pairs on L/R or X1/X2 to preserve imaging in stereo mix recordings. To prevent overload, limiters are available on tracks L, R, X1 and X2. When multiple inputs are mixed to a track, the summing of signals can increase the track level, causing a track level to approach digital overload (0 dBFS). Pre- and post-fader limiters are activated by toggling the LIM soft switch in the input’s Input Settings Window. The post-fader limiters on the 788T act upon the signal after the mixer fader, preventing the elevated level from exceeding the limiter threshold. This provides overload protection to any input recorded as an independent pre-fader ISO track. The analog pre-fader limiter acts at the trim gain but before analog-to-digital conversion. 20:1 and INFINITY:1 limiter ratios (slopes)Įach of the 788T’s eight inputs has a pre-fader limiter and post-fader limiter.Variable limiter threshold and recovery time.Linkable limiters on L/R and Aux 1/2 tracks.Two independent limiters per input channel - an analog pre-fader circuit and digital post-fader control.Key features of the 788T’s limiter system are: ![]() The ability to adjust limiter characteristics provides the sound mixer with advanced control more typical in studio gear than that found in location sound recorders. The 788T’s limiters have been enhanced with firmware revision 1.76. When active, the 788T's limiters virtually eliminate the chance of digital signal overload. To prevent input overload, the 788T, like all Sound Devices field production mixers and recorders, has input limiters. As the number of sound sources increases it becomes increasingly difficult to anticipate sudden and excessive changes in the volume levels of multiple sound sources. You don’t need to know anything about audio editing, nor do you need to be a technical genus Audio Overload is simple, easy and as straightforward as it gets.High quality limiters are an essential tool for the production sound mixer’s tool kit. It can be used and easily understood by people with little to no technical experience. Audio Overload also supports archive file extensions such as ZIP and RAR.Īudio Overload is very simple to use and comes with a user friendly interface. If it’s there and it plays audio, then the chances are that Audio Overload will be able to support it. Audio Overload can work with a huge number of audio files and video files, from COP, GSF, HES, IMF, KSS, MOD, NSF and so many more. Audio Overload helps you to find and play music from all of your favorite video games. If this sounds like you, then you can reminisce with the Audio Overload program. ![]() Does the Tetris theme tune give you pangs of nostalgia? Do you still fondly remember the tunes of your old favorite video games, from Pacman to Metal Gear Solid? Forget about Pop, Rap or heavy Metal, you have Mario, Donkey Kong and Sonic.
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